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Keyword: ‘guitar modes’

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May 10th, 2012 Comments off

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Scales

March 28th, 2010 No comments

Guitar lessons on scales and modes. There are 5 basic scale shapes that every guitar player should know. They should be practiced and played daily in all positions. A question I get asked alot is "Do I really need to learn scales?" The answer is "Yes". Knowledge of the basic scales (major, minor, and pentatonic) and when to use them are an essential ingredient to becoming a great guitar player.  Scales are essential if you want to be able to pick up a guitar and jam with almost any song.
 

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The Lydian Mode

August 4th, 2009 1 comment

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The Lydian Mode happens to be one of my favorite guitar modes. To me it has a sort of "smart" sound. If you use this mode on electric guitar within the context of a rock or metal song, you will end up sounding very sophisticated. Of course, this is my opinion and guitar modes are very subjective. If you have been doing your homework, you will already have found a couple that you prefer. Hopefully, I can help make Lydian one of them.

Let’s cover a few basics of the Lydian Mode:

1) Lydian is a major mode. It is determined major because it contains a Major 3rd. In the key of A Lydian, the major 3rd is C#. (If it was C instead of C#, then it would be some kind of minor mode. ie., phrygian, dorian, aeolian.)

2) Since it is a major, you can use A major pentatonic right along with it.

Example 1: This lick combines sweep picking and tapping in conjunction with the Lydian mode. The first 5 notes of lick #1 are played with a single downward stroke. This is called sweep picking. The tapping is done with the third and middle finger. I find this use of multiple fingers works best. This enables me to use my palm to mute the string noise and my pick to pick any notes that are not tapped. Work on this technique slowly. It can be very difficult to get down. The chord in the background is an A Major. The notes that are picked in the background are D#, A, and E.

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Example 2:
This lick takes the techniques used in all the last lick a little further. The notes that are not tapped are played by using sweep picking. If the notes ascend, they use a downward sweep. If the notes descend, they use an upward sweep. This covers this technique in more detail. Again, the tapping is played with the third and middle fingers. (3rd finger taps the D# note on the 23rd fret). Also the notes that are tapped on at the end (A-24th, G#-23rd) are natural harmonic’s. Although it is not notated, while you tap these notes on, you will hold the same note one octave below it on the same string (that would be the 11th and 12th fret). This lick is played against an A power chord (A, E). The effect that was used on this lick is a phaser.

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If you found this guitar lesson helpful, please link to it by adding the following code to your website:
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<a href="http://www.totalguitar.net/online-guitar-lessons/scales/lydian-mode/" target="_blank">Total Guitar Lessons – Lydian Mode</a>
 

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Improvising Guitar

August 4th, 2009 No comments

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This guitar lesson explains how to improvise on guitar. The most important part of improvising guitar is to know where all the notes on the guitar neck are. You should be able to glance at any note on the fretboard and know its name. If you don’t know what guitar notes you are playing you will find improvising extremely difficult.

Printable diagram of all the notes on the guitar neck.

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Other things to consider when improvising guitar are scale choices, techniques you wish to employ, and phrasing. Assuming you know the notes on the guitar neck, the next consideration is choosing the right scale. The first scale to master for improvising guitar is the Pentatonic scale. Pentatonic means five tones. In this case we will be using the Minor Pentatonic. It’s a safe choice when improvising guitar because the 2nd and 6th scale degrees are omitted making it quite versatile. With two less notes to worry about, it’s easier to make Pentatonic licks fit a variety of guitar leads.

Example 1: To decide what guitar scales to use look at what notes are within the guitar chords you are going to play over. Our rhythm progression contains two chords, A5 and D7. Both of these guitar chords belong to the key of A minor. A5 has two notes, A and E. Notice that this chord is neither major nor minor so we will be able to play a wide variety of scales and modes over it. The second chord, D7 has four notes, D , F#, A, and C. For this example we will stick to A minor pentatonic because it will work well over both chords. For future reference, the D7 chord is derived from the A Dorian minor scale which contains a raised 6th tone. Notice again that the minor pentatonic does not contain a 6th. After nailing down the pentatonic scale, try adding the F# note (7th fret b string) to the pentatonic scale (pattern #1) and you will end up with the Dorian mode sound.

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Example 2:
Here are two patterns of A minor pentatonic. First, memorize them. Now you remember what notes the chords contain right? These notes are called chord tones. When starting or stopping a lick you will want it to be on a chord tone. This will make the lick sound as if it fits the song. The tonal center, in this case, is the A note. Therefore, you will build licks around the A note. However, when playing over the D chord you may also treat the D note as the tonal center. This will help to lock you in with the chord changes and once again, make the lick sound as if it fits.

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If you found this guitar lesson helpful, please link to it by adding the following code to your website:
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<a href="http://www.totalguitar.net/online-guitar-lessons/soloing/improvising-guitar/" target="_blank">Total Guitar Lessons – Improvising</a>
 

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Guitar Scales

August 1st, 2009 1 comment

Chords & Scales

A guitar scale is a graduated series of musical tones ascending or descending in order of pitch. Scales build strength and independence in your fingers. Playing scales helps to train your ears to recognize common note combinations. They can be used as note choices in both improvisation and music writing. Scales must be a part of every musician’s practice routine.

There are 5 basic scale shapes that every guitar player should know. They should be practiced and played daily in all positions. Try to use them in your playing by writing or improvising melodies with them.

 

Major
Guitar Scales

 

The major scale should be the first scale that you learn. It is a great warm up and technique builder. It is the starting point for all theory. This is a two octave scale. From the 1st red circle to the 2nd is one octave. Oct is the Latin prefix for eight, so the 2nd square is eight notes above the 1st. The spelling for this scale is: 1,2,3,4,5,6,7.

Even guitar players with no prior music training can easily learn music theory, scales and modes, fret positions, fingering patterns, notation, tablature, and more with this easy-to-use self instruction book with something for every guitarist.

Scales

Guitar Journals – Scales is the ultimate reference guide of studies and solos in several different genres. This huge collection of scales is perfect for guitarist’s everyday use. They are all covered here: major; natural, melodic and harmonic minor; diminished; whole-tone; bebop; blues; altered; pentatonic; more.

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Minor Pentatonic
Guitar Scales

Minor pentatonic is the most common of all scales used in rock, blues and many other styles. The pentatonic scale has only five different notes before you are back to a root.The spelling for this scale is: 1, b3, 4, 5, b7. Theoretically, all scales are written (formula wise) from the major scale. That is why the spelling for this scale contains a flatted third and seventh. They are altered tones from the major scale. It is also worth noting that if you were to start this scale from the 2nd note (if we were in A for example; the 2nd note would be C ) you would be playing C major pentatonic. You would therefore use it in a C major context.

Guitar Scale Dictionary

The Complete Guitar Scale Dictionary features scales shown in notation, tablature, and diagram form. Rules are given for each scale showing construction and appropriate usage in relation to chordal structure and harmony.
In addition to a myriad of scale forms for major, minor, pentatonic, and blues, in-depth sections are contained on modes symmetrical altered scales, exotic scales.

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Blues
Guitar Scales

The blues scale is the minor pentatonic with an added note in both octaves. This scale is not only used in blues, it is used in all styles of music, including "heavy metal" and "country" music.

Blues Guitar

You Can Teach Yourself Blues Guitar – Learn the blues scale, blues chords including power chords, moveable chords, and barre chords, strum patterns, and how to accompany a blues song in 6/8 or 12/8 time. Learn turnarounds, fill-ins, the capo, double stops, blues licks, bass line accompaniments, blues techniques, how to build and play an improvised solo, and fingerpicking blues and more.

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Major Pentatonic
Guitar Scales

For the major pentatonic scale shift your hand and play the notes on the 1st and 2nd strings with your 1st and 3rd fingers. Usually you should shift positions if you are playing more than 1 string. That does not include your 1st finger.

Guitar Method

Monster Guitar Method 1 dvd guitar lessons are the perfect guitar lessons for beginners just starting out. Learn how to find any note on the fretboard without using a chart. Monster Guitar Method includes lessons on the major and minor scales; the minor pentatonic and blues scales; basic and “bonus” chords (major, minor, dominant 7th, power chords); rhythmic notation; strumming patterns; and much more!

Guitar Dvd, CD and instructional booklet.

Minor
Guitar Scales

The minor scale requires a shift on the 3rd string only. Use your 1st, 2nd, and 4th fingers for the notes on the 3rd string. Stay in position for all of the other strings. Starting this one from the 3rd note would give you a major scale. Using scales in this manner is what all of the great improvisers do; instead of just having a major or minor scale you can potentially have seven different scales. In fact, it is the harmonic context that you place a scale into that will make it sound several different ways. If this loses you, I would encourage you to study more music theory. You can never know too much.

Encyclopedia of Scales

The Encyclopedia of Scales, Modes and Melodic Patterns is a unique approach to developing Ear, Mind, and Finger Coordination. This is a great source book for dozens of scales from the traditional major and minor forms. This book of scales and patterns trains the mind, the ears and the fingers to work in perfect synchronization to respond instantaneously to any given chord progression.

 

If you found this guitar lesson helpful, please link to it by adding the following code to your website:
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<a href="http://www.totalguitar.net/online-guitar-lessons/scales/guitar-scales/" target="_blank">Total Guitar Lessons – Scales</a>
 

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Speed Part 2

August 1st, 2009 No comments
Time Stretch Guitar Software

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Developing Speed – Part 2. This online guitar lesson is the second installment of my two part picking mayhem. This week we are going to cover a couple of examples that I personally dig. This is the kind of self-indulgent stuff that usually only guitar players can relate to. Others are often offended, insulted, or just outright scared! Whatever the case, just be careful when you get these things up to speed that you don’t let your fingers get away from you. You could put an eye out.

 

I would also like to stress again "economy of motion"- meaning the smaller the distance you move the pick, the faster you will be able to go. That does not mean that if you choose to use your whole arm to tremolo pick, for example, that you are wrong. If it works for you, then it is the right way. Eddie Van Halen chooses to use his whole arm to tremolo pick. Who’s going to tell him he’s wrong? I choose to use my wrist for all picking type licks and tend to stick to strict alternate picking as much as possible. I would strongly urge you to do the same. This is common practice among "the picking kings" – anyone who picks like a madman.

Example 1: This example comes from Steve Vai’s, "The Animal." It is in D minor. Notice how it doesn’t lock into the click. It kind of has a "floating" sound. The effect that was used was a harmonizer set to a fifth below.

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Example 2:
This lick makes a great warm up exercise. It starts out in E Dorian (E, F#, G, A, B, C#, D) and ends in the A Blues scale. This lick works very well over the A bar chord. In fact, if you choose to play this over an A power chord, then theoretically, it is an A Mixolydian (A, B, C#, D, E, F#, G). These are both modes from the key of D Major, so note-wise they are all the same.

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If you found this guitar lesson helpful, please link to it by adding the following code to your website:
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<a href="http://www.totalguitar.net/online-guitar-lessons/guitar-techniques/speed-part-2/" target="_blank">Total Guitar Lessons – Speed</a>

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Mastering Guitar – Guitar Tutor Pro

May 2nd, 2009 No comments
Mastering Guitar - Download Guitar Lessons

 Mastering Guitar

Mastering Guitar by Guitar Tutor Pro. Download Guitar Lessons. The Mastering Guitar instructional guitar lesson course includes 3 high quality ebooks, each with photos and professionally transcribed guitar notation, and 5 free bonus items so you will have no problem following along and learning guitar.

Price: $47.00 Mastering Guitar - Download Guitar Lessons

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