Lesson 2: Arpeggios

February 19th, 2010 Leave a comment Go to comments

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An arpeggio is notes of a chord played separately. Let’s shed a little light on the process I used to build the lick in Lesson 1 – The Lydian Mode. You may have noticed there was a little more going on than just running through some scale. To build it, I started out with an A major arpeggio (An arpeggio is notes of a chord played separately) and plugged it into the A Lydian mode (A, B, C#, D#, E, F#, G#).

Example 1 is the lydian scale shape and example 2 is the arpeggio shape that I used. Arpeggios are a good way of breaking out of those "stuck in a box" scale type licks. Throw in some sliding between the notes and you will be able to put some real distance between your licks. I chose the A major arpeggio because A lydian is a major mode.

Here’s a little more theory for you. You can easily use the F# minor arpeggio in conjunction with the A major arpeggio because they are relative. (Relative means scale wise they are the same.) Technically in doing this you will be playing an A major 6 arpeggio. 

Example 1: The "A" Lydian Scale

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Example 2:
 The Arpeggio

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Example 3: Let’s get into some licks. This lick is a very cool sweep picking arpeggio lick. It starts out in an F# minor arpeggio, moves up to an A major arpeggio, moves back to an F# minor arpeggio, then back to A major and finally ends in F# minor! Remember that these keys are relative. This lick is great for getting around the neck and covering some pretty good distance. The effect that I used was a phaser. The chord progression is in F# minor.

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Example 4: This lick is very similar to the last one, except that it is in the key of C# minor (or E major – these two keys are relative.) Simply put, although I played this lick over a C# minor context, it could also be played over an E major chord or chord progression for that matter. The tapping is done with my middle finger.

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Example 5: This last lick sounds impressive because it covers a lot of distance. I personally like to use this one to end songs that are in the key of D minor. To build this lick I combined a D minor arpeggio with the blues scale and finally threw in some major 3rds! This one just tastes good.

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